Terraced red buildings along the hillside above the sea

Tamariu

Arquitecturia Camps Felip
Creative reinterpretation
Along the Costa Brava, the tamarix marks the delicate threshold between shelter and exposure. Thriving where conditions are harsh, it responds to the landscape not with resistance, but with quiet adaptability.
Small study sketch of the red terraces
Black and white study of coastal vegetation
The red terraces above the coastal path and the sea
In Tamariu, whose name echoes this coastal plant, the project follows the same logic, embracing lightness and resilience, and drawing its palette from the soft pink-red hues of the tamarix in bloom.
The buildings on the rocks under a soft sky
The terraces in the landscape under a blue sky
“Contrasts and relationships of tones are the secret of drawing and painting.” — Paul Cézanne
Tonal study of the red volumes
The project is conceived as a shifting point of view, alternating between contrast and continuity. Echoing the tamarix, it emerges in bloom and then blends back into its surroundings.
Black landscape silhouette study
Black and white study of a pine
Night drawing of the house with full moon
Facade through the pink tamarisk in bloom
The stone volumes facing the sea
This proposal is guided by restraint. Aligned with stone and coastal light, the architecture allows the tamarix in bloom to remain the focal point, becoming a subtle and unobtrusive presence within the landscape.
The inner courtyard with a tree and glass walls
Tamarisk flowers against the sky
The pavilion and the pool towards the sea
Pink detail of the tamarisk
Aerial view of the cove and the roofs
The camera views are conceived as an extension of this idea. Each perspective is carefully chosen to reinforce a sense of harmony and coexistence, framing the architecture not as an object in isolation, but as part of a continuous landscape, where building, vegetation, and light exist in balance.
White line study of the roofs
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